In the studio
Notes on new work & process. This is a paragraph. You can write your own content here, and fill in the blanks. What's your story and where do you go from here? Tell the world about your business, and make this text yours.
The texture of Sand
May 14, 2026
Exploring new slips and glazes that mimic the coastal textures of Northern dunes.
Firing the Kiln
May 02, 2025
A long night at the studio monitoring the temperature for the Moon Bowl series.
Symmetry and Flaws
April 28, 2028
Why I've started leaving more thumbprints in the final forms of my vase collection.
How is it made? Each piece is shaped, dried, and fired by hand over many days. We believe in the “slow art" movement, an intentional rejection of mass production.
Our process begins with raw stoneware clay, carefully wedged to remove air.
Every curve is dictated by the rhythm of the wheel and the touch of the hand.
The Winter Glazes
After years of throwing, the body remembers the shape before the mind does. A personal essay on muscle memory and the meditative state of the potter's wheel.
This is a paragraph. You can write your own content here, and fill in the blanks. What's your story and where do you go from here? Tell the world about your business, and make this text yours.
Firing the Kiln
: A Twelve-Hour Vigil
The transformation happens in the dark. We document the precise moments when heat becomes color, and clay becomes stone.
The Memory of Hands
After years of throwing, the body remembers the shape before the mind does. A personal essay on muscle memory and the meditative state of the potter's wheel.
This is a paragraph. You can write your own content here, and fill in the blanks. What's your story and where do you go from here?